I was talking with a biographer recently and asked what method she followed when researching a subject. She didn’t have a set method, as it turned out, but said that, most often, one source pointed her to another and that to yet another, and so on. It was a relief to know that I wasn’t missing out on some rarefied methodology, as that’s pretty much what I have been doing of late. It’s exciting stuff, as you never know where it might lead. I’m writing a piece about the world of work, which, I hope, will be entertaining.
Just last week, my reading led me, of all places, to an essay of 1884 by socialist and designer, William Morris (yes, he of the lovely wallpaper). Entitled ‘Useful Work versus Useless Toil‘, it might lack the entertainment value I’m going for, but it’s a fascinating, if demanding read.
I like to think we have moved on some way since late Victorian times in improving some of the injustices he rails against, though clearly not all. In fact, more than we would want to admit. I can also forgive his constant use of the word ‘men’ without a single mention of ‘women’, because a) it was 1884 and b) he bequeathed us the afore-mentioned lovely wallpaper. So, I read it as one might pluck the petals of a daisy; ‘I love this bit’, ‘I love this bit not’.
There’s a link to the whole piece at the end, but one sentence, in particular, struck a chord with me.
‘But a man (or woman, William!) at work, making something which he feels will exist because he is working at it and wills it, is exercising the energies of his mind and soul as well as of his body.’
So, here he is, talking about creativity, our favourite topic, and the thing, as I’ve said before, I believe separates us from the beasts and makes us who we are. Of course, he was a man of great creative genius himself. I worry, though, that he would find my Morris-branded hand cream (see photo) a shade too decadent and exactly the kind of frivolous product made to pander to the demands of the non-producing classes. But I’m giving away the ending there. You should read the essay for yourselves.
He talks of ‘the hope of pleasure in our daily creative skill’. Daily? Heck, the only way we’re going to achieve daily creativity is if we find it in our work.
Here we are at Squatting Toad, devoting podcast time to delving into people’s extra-curricular creative activities, when our 9-5 needs to satisfy that part of us too. If it doesn’t, then we find ourselves, among other things, stressed, as mentioned in the last post. And, if we’re stressed, how can we create and feel that ‘hope of pleasure’? I don’t have the answer to that, by the way. It’s a huge topic and one that takes me down a different path.
Fulfilment in post-work creative activities? Box ticked.
Fulfilment in daily work context? Pen still hovering.
As I say, I am doing lots of research on this, and what I hope to achieve is some ‘Useful Work’ on this very topic. And don’t worry, it won’t be too serious. Heaven knows, I’ve laughed a lot already, because sometimes if you don’t, you’d cry. Or maybe it’s the pleasure.
Work? What is it good for? Damned if I know, but ‘hope of pleasure in our daily creative skill‘ will do for a start. Now we’ve just got to get there. There’ll be bumps on the way, to be sure. Join me, as I try to un-pick it all.
In the meantime, have a read of William Morris’s essay. Next time, I’ll maybe reveal one of my more up-to-date sources.
Happy creativity in the meantime.